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  • I have an acquaintance who is a professional artist[1]. He has some great stories about colours/paints/pigments. I suppose it's akin to tales of who created a particular programming tool/compiler, or when a language weirdly added gotos (PHP!). It's great to hear experts opine on their craft. Not sure we have that here, but still.

    https://www.alastairjohngordon.com

  • Cool idea, but unfortunately low-effort AI slop. The colors are covered in vibe-coded patterns that obscure the actual color, much of the writing is wrong and soulless. The prompter writes on the site that he uses AI to support in writing, because as a man with a day job it would be "impossible" to write all this himself. I'd urge him to write in his own words, starting with a minimal subset of colors and slowly building up a library. It could be a "one entry per day" challenge, or even just "one entry per week". Why is everyone in such a rush?
  • Why isn't my favorite color on the list: Unforeseeable Fuchsia?
  • > Most of what you can read about historical color on the web has been rewritten three or four times from the same Wikipedia paragraph, with the citations dropped along the way. What you are reading here is an attempt to put the citations back.

    That implies the entries also are based on the Wikipedia paragraph, though I think the author means they do their own research. The entries I looked at list several high-quality entries in a bibliography at the bottom but don't cite any of the text. Also, I don't know who wrote these - do they have any idea what they are talking about? Is this LLM output?

    If anonymity ever worked (almost never in scholarship), it may not work anymore due to LLMs.

  • Their VanDyke Brown looks more like a Burnt Sienna to my eyes, but that might just be my screen.

    You may also enjoy the Chromatopia book : https://www.goodreads.com/book/show/40554590-chromatopia

    The author produces a very nice range of oil colors under the Langridge brand in Melbourne, downunder... its nice to keep these artisanal practices alive.

    Would be handy to have the standard pigment codes. Ive been gradually moving away from using heavy metals such as Cadmiums. Haven't found the perfect red, although Napthol Red PR170 and Pyrrole "Ferrari" Red PR254 are pretty close to primary for mixing from a limited palette.

    Its really surprising how you can get gorgeous brick-red browns and deep purplish blacks from mixing a near primary red and primary blue.

  • For a word nerd exploration of how colours are defined in dictionaries, check out 'True Color: The Strange and Spectacular Quest to Define Color' by Kory Stamper. https://www.goodreads.com/book/show/237693038-true-color
  • That's pretty cool. In a similar but very different vein: A few years ago I took twenty years of daily satellite imagery and computed the mean color for countries and the world https://www.landshade.com/

    But in doing that you really do notice how everything concerning colors is just a bit arbitrary. You get raw reflectances from a scientific sensor on a satellite with specific spectral bands and sensitivity within those bands. And then you try and map this scientific sensor to the sensor that is your eyes, to try and emulate what we would actually see if shot up into space.

    There's some really cool science around that if you're a color nerd: https://www.sciencedirect.com/science/article/pii/S003442571...

  • The web has its own storied color, albeit a tragic one. Rebecca Purple is a named CSS color, which was added in tribute to Eric Meyer's daughter, who very sadly passed away at a young age. That shade was her favorite color.

    https://medium.com/@valgaze/the-hidden-purple-memorial-in-yo...

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