Join the discussion

Write your take first — we'll ask for email only when you're ready to publish.

  • Hacker News
  • Polite disagreement. To write (or feel the urge to write), you should have a point of view (unique povs are more interesting). To have a point of view, you need to engage with the thing in front of you. It can be a video that you disagree with, or agentic output you're belting into shape.

    The advice of "read more to write better" is incomplete IMO. I'd change it to "read/engage critically to write better". Else reading results in memetic ideas and tonality

    In fact, you'd want to read less if it means reading deeply

  • Many hundreds of hours of reading will build your vocabulary, and tune your ear to the sound of a good sentence. But it will not make you a writer.

    Reading as a person wanting to become a better writer should be more conscience of what they are reading. I often finish a novel and can't even remember if it was narrated, or how. That is not careful reading.

    I've heard of authors who, went waiting for their muse, just copied novels they liked until they got back in the groove, and this usually helped.

    Practice makes practice. Deliberate practice makes...

  • I think this article is conflating the craft of writing, which is essentially literary ambition and aspiring toward literary fiction, with genre fiction which is focused on plot and story above language that is employed. Writers who aspire towards a nobel or elite critical acclaim certainly must read because their aspiration is to develop a novel and masterful command of their native language. But writers who aspire towards story, storytelling itself is an oral tradition. The author here conflates these two, citing Woolf and Nabokov as examples of voracious readers while addressing a general population of writers. It is not obvious that the genre fiction writer is losing out by reading less compared to watching tv or movies. They would still be learning about pacing, dialogue, plot mechanics, and the ability to consume more stories albeit via a different medium may be net positive EV for them. As a fun counterfactual, if Fourth Wing by Yarros was instead written as literary fiction, would it be more or less popular? My guess is, less. Which is again to emphasize that masterful craft of language vs. plotting/storytelling are distinct skills that do not face the same payoff or learning dynamics.
  • Completely agree! I find writing deeply memetic - in that I often catch myself imitating the flow, style, word choices, punctuation and grammar of whatever reading material I'm currently immersed in.

    This unfortunately does not bode well for my writing ability as I read emails and Claude output all day. Recently, I've been reading a lot of building codes and compliance documents and I've develop annoying ticks like using "shall", "need not", "take no exception", overuse of passive voice, etc.

    My hypothesis is engineers suck at writing by default unless they do extra-curricular reading. I read a lot! But sadly it's often textbooks, journal papers, documentations, and Claude. I'm envious of great writers, but I don't have time to read Keats. I'm immersed in Stewart, Strang, and whatever Claude is feeding me next.

  • I have an even better golden rule: to become a better writer, actually write as much as you can.

    A real example.

    I read A TON, since I was a kid (I'm close to 50 years old now). I used to write a lot. I even wrote two semi-decent novels, among other things.

    I haven't written much in the last 10-12 years.

    Now I want to start a little side project, in which I will write a letter to about one hundred people, print it and ship it physically. I have attempted to write the first one a few times, and it's very difficult. I am not used to write anymore.

    Write more.

  • A while ago I took under my wing so to speak the neighbor's kid who plays the clarinet at the local music school, but apparently has listened to very little music (at music school he only gets instrument lessons and some music theory.) I had him listen to a wide range of classical music, just to give him a taste, and see what interests him. I told him: a musician who doesn't listen to music is like a writer who doesn't read books. It's not only the craft, it's also the culture that those works embody, and the feeling of belonging to a tradition.
  • Counterpoint: To become a better writer, write as much as you can.

    Reading gives you a flavor, a taste, a style, it allows you to occupy the thoughts of another human.

    But getting your thoughts written down? That's writing, not reading. Actually practicing the art of writing is better for your craft than reading someone else's writing.

    Matthias Wandel a famous woodworker on YT says it: most of his audience are watching for fun, they don't actually build projects. Would we expect a woodworker to get practically better by not woodworking, but by sampling others work? You might gain a little knowledge, but you'll never see your own limitations and where to grow if you never do it yourself.

    Since music comes up in this thread, it's an even better counter example. The act of practicing technique shows you the idioms of each instrument, it shows you HOW to compose for that instrument much more than listening to 100's of recordings. Chopin's genius was knowing the human hand and how it conforms to the keyboard, he knew how to compose for it better than perhaps any other, because he was practical and a virtuoso himself.

    When you touch and hear the instrument as you play, when you satisfy your own ear and judgment as Chick Corea says, then you're able to then better mimic others and create new fusions. Just listening to others "as much as you can" isn't going to make you a better performer or technical player at all.

    Save the time for doing, not using. Use the time for production, not consumption. Practice makes perfect.

  • > Why be a writer if you don’t love reading? Why devote your intellectual and emotional energy to creating a book, when it’s a form you’re not invested in? Why write, when you aren’t steeped in wonder of storytelling?

    This is the key point, I think. I've seen the same as the author: people who want to be writers but rarely read books. And I don't get it.

    I recently finished a novel (now shopping around for agents, which was hard enough pre-AI but now...) and reading was integral to writing it. I know good sentences. I know the style of prose I like to read. I know how things can veer between florid and poetic and where the line is. I know how a sentence can be completely different if you read it as though it was spoken, instead of to yourself (some of mine are written to be read.)

    I know the things that annoy me: dropping out to put thoughts in italics; descriptions that specify instead of evoke; characters talking without it leading somewhere. (And much more.)

    How do I know this? From reading.

    And I want to tell the story. It was a story that grew, that I think will anger the right people (it's not too kind to Musk or VCs or the Russian Orthodox Church), and yet is simply an adventure, tumbling our characters from situation to situation like they fell overboard while navigating rapids. Ultimately I wrote a book I wanted to read. It turned out to be about post-apocalyptic startups and sea monsters.

    Someday I'll publish, I hope. And no doubt someone will read it and find style they dislike, learn from it things they don't want to do in their writing, either. But I also hope that there are moments in the book that will inspire someone else, in that they too will want to write, based on what they read.

Explore Birbla archives